Adobe MAX 2026: The agentic roadmap Shantanu Narayen leaves for Anil Chakravarthy

Adobe is banking heavily on a world where creativity starts with conversations instead of complex tools. At the Adobe MAX 2026 conference in Miami, they spoke about how their AI agents can very quickly start making appearances in almost every area of their creative cloud suite. However, there was more to it this year. This keynote was also special in that this was the last keynote by Shantanu Narayen who had been serving as the CEO of Adobe for 18 years, and the first chance for his successor, Anil Chakravarthy, to state his vision for the future of Adobe. And there is quite a bit riding on it, because not all creators agree on the need for AI.

Five labels, one big idea

These five themes include: Interfaces, Media, Surfaces, Productivity, and Workflow. While one may seem to be different from another, they all converge into the same goal. You give your commands through an AI agent, and the applications carry out the tasks.

Creative Agent, which forms the core of Narayen’s vision for Adobe, is already live with Creative Cloud. Additionally, Adobe has plans to bring local Model Context Protocol (MCP) support to Photoshop, Illustrator, Premiere, and After Effects. This would allow any external AI agent to communicate directly with the files of any project within the applications mentioned above, and the integration is scheduled for early 2027.

The demos gave us a peek at how this could be done. Claude was seen working on podcasts with Premiere, whereas ChatGPT works right in Photoshop. The objective is to make sure that the software that users are using currently will be able to function along with their preferred AI assistant.

Then there is Firefly, which is emerging as something far more grandiose than just an image-generating tool. Rather than simply commanding it to generate an image, you could tell it your vision of the finished product and allow it to come up with a strategy, including the models and process required to realize that vision. Adobe wants Firefly to transform into something beyond its current status as a tool that is used for one particular purpose.

The people who never asked for this

After all, not every artist eagerly awaits for the arrival of the AI agents into his/her working environment. Indeed, there are artists who do not trust this technology, and such attitude can be perfectly justified. For some of them, it is not just another software, but the place where years of studying and working creatively finally merge.

There are non-AI innovations presented by Adobe, but they do not take as significant a share of the whole picture as it could. All the announcements that the company makes and plans to make are almost completely related to the AI innovations. Opting out might become easier to choose, but it definitely will not affect the company's plans.

But these sceptics continue to use the service. It is those same people who will determine if the AI agent in the side bar is truly an assistant or just another step closer to the elimination of their jobs.

The company’s argument is that the Creative Agent is just another set of hands rather than the elimination of the person operating it. The agent is supposed to help the user take care of all those tasks which take up too much time so that the individual can focus more on the creativity process. In theory, this looks like a good plan. However, in practice, it is a very simple question for those using these tools day-to-day: Is it going to save you an hour or add yet another task?

Two leaders, one roadmap

However, Narayen is not going away completely after December 1. He is set to continue playing a significant role within Adobe with his new title, cooperating with Chakravarthy and helping with the smooth transition. The board sees his contribution in preparing the company for the age of AI. In this way, he will work with the one who is supposed to move things further.

In other words, the agentic ambitions of Adobe are not being passed on to an entirely new management team. The vision is the same at least in the near future. Chakravarthy will have to convert all the promises and demos into something desirable while Narayen will get a chance to witness how his strategic plan works out.

Before the next Adobe MAX event takes place, Creative Agent will have had one full year to make its case. This seems like ample time for content creators to decide whether or not these kinds of agents deserve a spot in their process.

Perhaps this is the most pressing question that Adobe leaves us with from this year’s keynote. Adobe has an idea of where creative software is headed, but getting the users of creative software to follow will take some effort.

Vyom Ramani

Vyom Ramani A journalist with a soft spot for tech, games, and things that go beep. While waiting for a delayed metro or rebooting his brain, you’ll find him solving Rubik’s Cubes, bingeing F1, or hunting for the next great snack.

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